Thursday, March 8, 2012

Reading the Nile


This week’s blog readings seemed to fall neatly into two categories united by the theme of travel: travel narratives and advice about travel. I really enjoyed the first blog, “Whitewater Rafting at the Source of the Nile in Uganda” because it was exciting and met all my expectations about what a travel adventure could be. In terms of travel narratives as a whole, I feel they are inherently interesting because they are outside the realm of the speaker’s normal experience; therefore he or she will see the experience with more depth, wonder, and see more significance in everything. Then it becomes the teller’s job to recreate in words those feelings and sensory details. How to communicate these? I felt this blog employed several very effective strategies:

1) En media res: the authors plunges us immediately into the action of the story, beginning with instructions spoken by the rafting guide. An immediate sense of movement, of physicality, excitement, and the thrill of danger are all communicated from the very beginning. The title (which could have been catchy, but is instead straightforward) is really all the context we are given—but it is all the context we really need.  This quick pace is maintained throughout the piece, even though he does back up a few times and give short bits of background information. This pacing, again, mirrors the swiftness and attention-demanding nature of the white water areas that he highlights on this run.   

2) Dialect: not only does the story begin en media res, but the very first line is written in dialogue, creating a slight disorientation that suspends the reader’s interest until it becomes clear who is speaking and why he sounds like that. The use of dialect also communicates an instant characterization; in such a short piece about such a sensory-heavy experience, every detail needs to serve the purpose of the story and this use of dialect goes a long way. As the only character with dialogue, it also places Lee as a focal point in the blog; not only was he the author’s guide while rafting, he is now a vehicle to guide us through understanding this experience.       

3) Structure: the structure of the blog is used very effectively to keep the pacing quick and . Paragraphs are very short, often only one line. This made the piece feel very journalistic, like it was designed to keep interest and with clarity always in mind. If the blog had been composed of big, cumbersome paragraphs it would have weighed the narrative down and maybe been more difficult to follow. The author also used subheadings on some sections and then wrote those sections like snapshots—very succinct, very clear, and concentrated. My favorite one was  "Everyone Screams and Everyone Gets Wet": “The stretch of whitewater we were rafting was made up of class three, four, and five rapids with names such as "Rib Cage", "Silverback", "Jaws", and "The G-Spot" ("because, if you hit it right, everybody screams and everybody gets wet," Lee told us).” The title links to the end of the paragraph, making it a discrete and unified unit, while also making a pithy little joke, and furthering the feeling of adventure and the camaraderie that comes with it. It almost felt to me like it could be a little vignette on its own.      

4) Specific description: the author uses description very concisely in the relatively short space of the blog. He uses detailed, concrete language to paint vivid pictures of what he is going through. For example in the passage:
Then a heavy, violent sheet of water would smack down on me, snapping my body around in summersaults, corkscrewing me into the deep. With the safety line just a distant memory, I'd see blue sky and white water, then pure green as the undertow sucked and sped me downstream” 
First we get the characterization of the water as “heavy” and “violent,” as he is thrown down helplessly into the water. Then his body is “Snapping” and “corkscrewing,” more violent imagery that connotes he is being moved by the water with such force that he cannot control his body. Finally we get vivid color imagery and a moment of peace in “Blue sky” “white water” and “pure green.” In such simple, yet vivid terms, he describes the juxtaposition of air, water surface, and then the plunge back into the violence of being under water.

3 comments:

  1. I too think travel narratives are inherently interesting, and that it's pretty hard to not get a reader interested in a topic that may also be outside their realm. I kind of enjoyed this assignment because I saw that it still takes some work other than a new place/experience for the blog to be interesting. (I didn't find any blogs except the one you talked about particularly interesting or very good at grabbing my attention).

    I think you did a great job zeroing in on this one blog and breaking it down. I also talked about this one in my blog and after reading yours I see how much I missed. I particularly liked you making the connection to Lee being a vehicle to help us understand the authors experience.

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  2. I like how you broke down your discussion/analyzation of all the elements of this blog. The author's decision to begin en medias res was really effective to creating that sense of action and quick immersion. It was also really useful how you pointed out his juxtaposition of detailing - I hadn't noticed that in my own reading.

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  3. excellent analysis. Going to the class with it.
    e

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