When reading The
Chicken Chronicles by Alice Walker, I felt as though she were my best
friend or great Aunt sitting next to me teaching me life lessons by sharing her
experiences raising chickens. Her use of colloquial language creates this
intimacy, and makes her story more relatable.
In the first vignette Walker uses her wry humor to point to
the fact that she understands not all readers are going to understand her
fondness for chickens: “I realized
I was concerned about chickens, as a Nation, and that I missed them. (Some of you
will want to read no further)” (Walker 2). By making a joke of it the author
keeps readers, who might otherwise feel alienated from the subject matter,
interested. Walker continues to use humor throughout the book, and you find
yourself as interested in chickens as she. One particular passage that sticks
out to me is in a letter to her chickens:
“I’m sure humans domesticated you very early, because they
discovered (perhaps after a forest fire) that cooked, you are delicious, and
that uncooked, safe and happy, you produce eggs. No doubt you were enticed into
captivity by being offered items of food. Or shelter. This happens to many of
us. No doubt humans learned early to clip your wings. And did humans also
eventually breed you to eat a lot, to be heavy, so you could not fly high or
far? Hummm…. “(Walker 43)
It’s not just with humor that Walker creates these easy to
relate to vignettes. The poet in her shines through in many of the stories such
as when she describes the death of the chicken by saying, “The buoyancy of life
had left her entirely” (Walker 27), or when there’s a notable rhythm:
“I called out to them, as I do: Hi, Girls, it’s Mommy. They
rushed to the fence, as they always do, and I counted them, as I always do;
then I informed them, which they’ve heard before, that I was going to get a
special treat for them.” (Walker 9)
This combined with her speaking directly to the reader at
times (“Long days golden to the bone, plenty of food dropping off every vine
and bush, fish jumping and cotton high… you get the picture.” (Walker 49)),
create the atmosphere of talking with a close relative or friend.
When this kind of relationship is established with the
reader it makes the reader more open to the stories and lessons the author is
sharing. There are all kinds of messages of interconnectivity, and the wonder
of this earth. I was moved by the chapter Perhaps
You’ve Seen Her?, where Walker shares her revelation that, contrary to what
she’d been taught, having animals around while meditating brings a whole new
dimension to the experience (“It feels so natural”(Walker 18)).
I enjoyed the way she took a pretty specific experience in
her life and used it to share life lessons we could all relate to. Had Walker
not taken the time to create this intimate atmosphere through her poetically
conversational language the reader may have put the book down without
discovering the messages.
Katey,
ReplyDeletetone is so much of what makes this approachable and keeps us engaged, although it seems to be about chickens, but as you point out, is about very much more. You characterize the voice quite well,
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Your observations characterized the experience of reading the book really well. While reading your post I kept thinking, "Yea, that's how I felt!" With such an odd focus, Walker does an amazing job getting her reader involved and personally connected with the text in the ways that you describe. Great post!
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